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KANEZA SCHAAL // JACK&JILL
Kaneza Schaal is a New York City based artist. She came up in the downtown experimental theater community, first working with The Wooster Group, then with other companies and artists including Elevator Repair Service, Richard Maxwell/New York City Players, Dean Moss, Claude Wampler, Jay Scheib, Jim Findlay, New York City Opera, and National Public Radio. This work brought her to over 18 countries and venues including Centre Pompidou, Royal Lyceum Theater Edinburgh, REDCAT, The Whitney Museum, BAM, The Kitchen, St. Ann’s Warehouse, and MoMA.
Schaal received a 2016 Creative Capital Award to develop her next work, JACK&JILL. Schaal was an Artist-in-Residence at the Baryshnikov Arts Center, and received a 2014 Princess Grace Award grant, LMCC Process Space residency, Bogliasco Fellowship, Nathan Cummings Foundation grant, Foundation for Contemporary Art Emergency Grant, and Princess Grace George C. Wolfe Award. She was a member of Kara Walker’s 6-8 Months Space and her video work appeared in Visionaire.
JACK&JILL is a comedy of errors structured on social codes and trainings from prison re-entry programs to debutante balls. The performance considers the metric-less damages of being in prison; not the time one has served but the measure of one’s dreaming that is given to the state. Aspirational class stories found in 1950’s sitcoms like the Honeymooners and Amos and Andy intersect with real and imagined entering-society ceremonies like debutante balls. Directed by Kaneza Schaal and starring Cornell Alston, the artists explore markers of transition and transformation, and the liminal ritual spaces that bridge worlds. MYCincinnati musicians will collaborate with Schaal to present an in-progress performance. The complete work will be premiered at the Contemporary Arts Center during the 2017-18 Black Box Performance Series season.
ELESE DANIEL // CALLER ID
Elese Daniel is a poet. She is a board member of Chase Public and currently the Writer in Residence at WordPlay Cincy. She often rides a bicycle, mostly to play bike polo. She has three poems forthcoming in soft magazine.
Caller ID is a poetic concert discussing identity, culture and communication through family relationships, inquiry and (re)discovery. Local poet Elese Daniel and MYCincinnati musicians will collaboratively weave through a poetic narrative and soundscape inviting us into their worlds and our own. Knowing more about ourselves and others can often start with hello.
INTERMEDIO // ZEITGEBER
Intermedio is a trio of interdisciplinary artists including Eric Blyth, Sam Ferris-Morris, and Justin West. Often taking on multiple roles as artists, architects, designers, musicians, and programmers, the members of Intermedio collaborate to design and realize immersive environments, performances and installations. Their work has been made for a wide range of events and venues, including museums, DIY spaces, festivals, residential installations, and Maker Faires. Rooting their practice in music composition, they often collaborate with ensembles and individuals to develop interdisciplinary performances which consider and expand the traditional concept of concert experiences.
A Zeitgeber is an environmental cue, such as light, which influences the timing of internal biological clocks that regulate all of the body’s functions. This piece juxtaposes biological time with machine time and explores what happens when they intersect.
Performed in a darkened room, each performer is paired with a free-standing light. The light’s purpose is twofold: to be a visual connection to the music and to react and communicate musical ideas across the ensemble. The light patterns are controlled both by the computer and by the performers generating the musical form through rules which utilize the light as a visual score. Suite-like in conception, different rules will delineate a set of pieces which generate totally new musical features with each performance. The result is an immersive audio and visual experience for both performers and audience.
SIRI IMANI // LOST GENERATION
Siri Imani is quickly emerging as one of the Midwest’s young, black voices. Her poetry is infused with hard truths, tough love and visions of a better tomorrow.
Never has an artist been more open and honest on the stage than Siri Imani. She weaves together song and poetry to tell powerful stories of love and liberation; state and personal violence; social/ environmental/racial and sexual justice; women’s empowerment and human transcendence.
She openly, poetically reflects on her life as a lesbian, black, inner city youth and former college athlete. Siri Imani is a boundary-breaking soul sister who has sharpened her art as a tool for popular education, community organizing and personal transcendence. She is a warrior woman writer not afraid to tell her personal truths and making biting social commentary on the world we live in.
Lost Generation will be a mixed genre production using spoken word poetry, visual art, dance, and music. A frank, melodic exploration into the lives, stereotypes, and realities of what so many called a “Lost Generation” (millennials and generations Y & Z). Featuring a youth collective of poets, lyricists, dancers, and musicians, all under the guidance of Siri, the performance will explore issues of mental health, fluidity in sexuality, spirituality, bullying, homelessness, acceptance, and personal transcendence.
JORDANA GREENBERG //
MUSIC & CHANGING THE WORLD
Jordana Greenberg is a multi-genre musician who has performed on five continents as a violinist and singer. Dubbed "one of the finest lyricists in the Americana world" (No Surf Review), Jordana is also the primary songwriter and founder of the internationally touring chamber-folk trio Harpeth Rising. She studied with Miriam Fried at both Indiana University and New England Conservatory in Boston. Jordana once won first place in her age division at a really hilly 5k race in Bedford, Indiana. She loves dogs, cooking and crocheting. A resident of of Price Hill since November 2016, Jordana already loves Cincinnati a LOT.
Music and Changing the World: Protest Songs from the Folk, Blues and Spiritual Traditions, Volume 1 // Music has been the sustaining life-force of peoples throughout history, and protest songs have served as a reminder that whatever else is taken from us, our voices will find a way. This program strives to celebrate the music of several different cultures and social movements - songs that inspired action, soothed violence, facilitated discussion, and which continue to influence our lives and our approach to the current world. From condemnation of the government to the demand for freedom to the celebration of life, we examine what it means to stand up for an idea through the power of music.